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	<title>PDN Photo of the Day &#187; Simon Roberts</title>
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		<title>Simon Roberts: The Election Project</title>
		<link>http://www.pdnphotooftheday.com/2010/09/6550</link>
		<comments>http://www.pdnphotooftheday.com/2010/09/6550#comments</comments>
		<pubDate>Wed, 15 Sep 2010 16:00:50 +0000</pubDate>
		<dc:creator>Darren Ching</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Fine Art]]></category>
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		<category><![CDATA[Election Project]]></category>
		<category><![CDATA[Simon Roberts]]></category>
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Polling station, Goodman Park, Slough, 6th May 2010, Slough constituency © Simon Roberts
Simon Roberts was the first photographer commissioned as the official election artist for the 2010 General Election in the United Kingdom.
“I wanted to move away from the media’s traditional approach of concentrating almost exclusively on the three main party leaders. I was more [...]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-6572" title=" " src="http://www.pdnphotooftheday.com/wp-content/uploads/2010/09/Simon_Roberts1.jpg" alt=" " width="906" height="718" /></p>
<p>Polling station, Goodman Park, Slough, 6th May 2010, Slough constituency © Simon Roberts</p>
<p><a href="http://simoncroberts.com/simonroberts.html">Simon Roberts</a> was the first photographer commissioned as the official election artist for the 2010 General Election in the United Kingdom.</p>
<blockquote><p>“I wanted to move away from the media’s traditional approach of concentrating almost exclusively on the three main party leaders. I was more interested in exploring the experiences of the smaller political parties and independent candidates standing in marginal constituencies around the country. Moreover, I intended my photographs to be a captivating investigation of the British landscape, as well as the political campaign that was unfolding in it.” —Simon Roberts</p></blockquote>
<p>The series of 25 images from <em>The Election Project </em>will be on view from September 15 at Parliament&#8217;s <a href="http://www.parliament.uk/visiting/exhibitions-and-events/exhibitions/election-project-2010-exhibition/">Portcullis House</a> in London.</p>
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		<title>Simon Roberts: We English</title>
		<link>http://www.pdnphotooftheday.com/2009/09/2179</link>
		<comments>http://www.pdnphotooftheday.com/2009/09/2179#comments</comments>
		<pubDate>Fri, 25 Sep 2009 16:00:30 +0000</pubDate>
		<dc:creator>Darren Ching</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Fine Art]]></category>
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		<category><![CDATA[Travel]]></category>
		<category><![CDATA[Brooklyn]]></category>
		<category><![CDATA[England]]></category>
		<category><![CDATA[Klompching Gallery]]></category>
		<category><![CDATA[Simon Roberts]]></category>
		<category><![CDATA[We English]]></category>

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Keynes Country Park Beach, Gloucestershire, 2008, by Simon Roberts from his We English exhibit at Klompching Gallery in Brooklyn&#8217;s D.U.M.B.O. district. We English explores identity, attachment to home and the relationship between people and the land in England.
“In 2005, I spent a year traveling across Russia to produce Motherland, a book exploring the Russians&#8217; attachment [...]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-2178" title="We English" src="http://www.pdnphotooftheday.com/wp-content/uploads/2009/09/WeEnglish.jpg" alt="We English" width="954" height="755" /></p>
<p><em><span>Keynes Country Park Beach, </span></em>Gloucestershire, 2008, by <strong>Simon Roberts</strong> from his <em>We English</em> exhibit at <a href="http://www.klompching.com">Klompching Gallery</a> in Brooklyn&#8217;s D.U.M.B.O. district. <em>We English</em> explores identity, attachment to home and the relationship between people and the land in England.</p>
<blockquote><p>“In 2005, I spent a year traveling across Russia to produce <em>Motherland</em>, a book exploring the Russians&#8217; attachment to their homeland. This attachment to place was somewhat mysterious–simultaneously profound and banal–and it led me to think about my own sense of belonging and memory, identity and place. <em>We English</em> became another journey, not quite as epic as that across Russia, but involving a 1993 Talbot Express Swift Capri motorhome, my pregnant wife, our two-year-old daughter and a 5&#215;4 large-format camera.”<br />
—Simon Roberts</p></blockquote>
<p><em>We English</em> is on view until October 24 at <a href="http://www.klompching.com">Klompching Gallery</a>, 111 Front Street, Suite 206, Brooklyn.</p>
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