All photos © Julia Fullerton-Batten. Above: The Departure.

In her latest project, called Mothers and Daughters, Julia Fullerton-Batten portrays the complex and sometimes challenging relationship between mothers and their daughters. Both documentary and biographical, these images illustrate the artist’s memories of her two sisters’ and her relationships with their mother and in turn, their mother’s relationship with their grandmother.

Choosing to work with real mother and daughter pairs in their own environments, the subjects create their own world together while at the same time revive the artist’s personal memories through staging. Over the course of their lives the dependence switches from the child’s need for security and nurturing to the mother’s dependence on the daughter to satisfy emotional needs. In the adult relationship, the intimacy of the bond is established by the love, struggle and acceptance of each other.

-courtesy Randall Scott Projects.

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“Melvin Moore, 2008″ © Ellen Susan

Photographer Ellen Susan makes portraits of active-duty soldiers in the US Army using the wet plate collodion process, the primary photographic method used during the Civil War. Her portraits are included in “surFACE: Contemporary Wet Plate Collodion Portraiture,” now on view at Photo Center NW in Seattle. The show features tintypes and ambrotypes by five contemporary photographers who use the nineteenth-century wet plate technique:  Ellen Susan, Daniel Carrillo, Robb Kendrick, Jenny Sampson and Joni Sternbach.

Susan, who lives near two major Army installations, uses the deliberative, careful process to show members of the military in a way that invites a second look. The slow process requires her subjects to remain still for up to 60 seconds, gazing intently at the camera. Each detailed, grainless ambrotype she produces,  PCNW notes, “engages viewers in a manner that is distinct from the casually made, ephemeral images that have become so familiar.”

The exhibition is on view at PCNW through February 12.

© Ryan McGinley. Above: Brennan (Blue), 2007.

Ryan McGinley’s premier retrospective monograph, You and I recently released by Twin Palms Publishers creates a portrait of a generation that is savvy about visual culture and acutely aware of how identity can be communicated through photography.

-courtesy Twin Palms Publishers.

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All photos © Erika Larsen.
Erika Larsen’s long term project ‘Sami: The People Who Walk With Reindeer’ will be on exhibit at The Half King Gallery in NYC with an opening reception on Tuesday, January 24, 2012 at 7:30pm. Shot from 2007-2011, the project is an intimate look at one of the oldest nomadic herding cultures in the world. Larsen says, “I came here to understand the primal drive of the modern hunter and to find a people who, when the land spoke, could interpret its language. I also came in search of silence so I could begin to hear again.”

The reception will feature a film screening and slide-show with a discussion moderated by Erika and Sarah Leen, senior photo editor at National Geographic Magazine. The exhibit will run until March 13th. To see a more intimate glimpse of Larsen’s project, watch this short video.

-courtesy Redux.

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All photos © Eleonora Ghioldi

Los Angeles-based fine-art photographer Eleonora Ghioldi learned about photography through printing the work of renowned photographers, including Helmut Newton, Graciela Iturbide, Lauren Greenfield, Wim Wenders and Donata Wenders. In her current series, Ghioldi aims to challenge the concept of female identity. “Women are identified primarily through their physical appearance in our society; their bodies are tools to express moods, desires, feelings and ideas,” she explains. By stripping away traditional elements that often define women in our contemporary society, Ghioldi presents the female form in its most bare state.

These images were captured with a 35 mm and a medium-format camera, and printed on 16 x 20 silver gelatin prints.

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