Skyward  is Kevin Cooley’s new video installation project portraying Los Angeles’ manufactured landscape and its relationship to the natural world. Presented as a projection on the ceiling, the work is a metaphysical gaze skyward – past the gridlock of street-level to the pristine blue sky promising freedom and limitless possibility.

Shot entirely in L.A. County, the work is comprised of hundreds of individual shots, presented in one continuous sequence. Cooley explains the visual narrative: ”We begin downtown near Bunker Hill and make stops through various parts of the city. Flurries of overlapping flight paths, of birds, helicopters and more, are punctuated by the brief appearance of iconic southern California structural elements such as freeway interchanges and rows of palm trees and we discover interdependent ecosystems largely overlooked in everyday life.” Cooley’s installation is on view  at YOUNGPROJECTS, a contemporary gallery for moving images, until March 9, 2012.

The actual installation at YOUNGPROJECTS

In her latest project, called Mothers and Daughters, Julia Fullerton-Batten portrays the complex and sometimes challenging relationship between mothers and their daughters. Both documentary and biographical, these images illustrate the artist’s memories of her two sisters’ and her relationships with their mother and in turn, their mother’s relationship with their grandmother.

Choosing to work with real mother and daughter pairs in their own environments, the subjects create their own world together while at the same time revive the artist’s personal memories through staging. Over the course of their lives the dependence switches from the child’s need for security and nurturing to the mother’s dependence on the daughter to satisfy emotional needs. In the adult relationship, the intimacy of the bond is established by the love, struggle and acceptance of each other.

-courtesy Randall Scott Projects.

Teenage Reflection

Changing Bodies

Custody Battle

Intimate Moments

The Rehearsal

The Party Is Over

Pretty New Thing

Forgiveness

Alone Again

"Daddy Tattoo, Philadelphia," 2004 © Zoe Strauss/Courtesy of Philadelphia Museum of Art

Photographer Zoe Strauss, who from 2001 to 2010 installed her work on pillars below an I-95 overpass in South Philadelphia and hosted an annual day-long exhibition, is getting a mid-career retrospective at the Philadelphia Museum of Art. The survey includes 150 images and extends beyond the museum with the Billboard Project, a series of 54 billboards throughout the Philadelphia area that will each display one of Strauss’s photos, blown up to 12 x 25 feet, without any text, logos, etc. A self-taught photographer who focuses on the “the beauty and struggle of everyday life,” Strauss is a true testament to DIY ingenuity. The exhibit runs through April 22, 2012.

"South Philly (Mattress Flip Front)," 2001 © Zoe Strauss/Courtesy of Philadelphia Museum of Art

"Vanessa, Philadelphia," 2006 © Zoe Strauss/Courtesy of Philadelphia Museum of Art

Ryan McGinley’s premier retrospective monograph, You and I recently released by Twin Palms Publishers creates a portrait of a generation that is savvy about visual culture and acutely aware of how identity can be communicated through photography.

-courtesy Twin Palms Publishers.

BMX, 2000

Ann (Slingshot), 2007

Tim (Black Eye), 2005

Jake (Shining Rock), 2008

Brandee (Driftwood), 2011

Nick (Blood Falls), 2009

Jake (Fall Foliage), 2011

Coco’s Cliff, 2008

The reception will feature a film screening and slide-show with a discussion moderated by Erika and Sarah Leen, senior photo editor at National Geographic Magazine. The exhibit will run until March 13th. To see a more intimate glimpse of Larsen’s project, watch this short video.

-courtesy Redux.

Los Angeles-based fine-art photographer Eleonora Ghioldi learned about photography through printing the work of renowned photographers, including Helmut Newton, Graciela Iturbide, Lauren Greenfield, Wim Wenders and Donata Wenders. In her current series, Ghioldi aims to challenge the concept of female identity. “Women are identified primarily through their physical appearance in our society; their bodies are tools to express moods, desires, feelings and ideas,” she explains. By stripping away traditional elements that often define women in our contemporary society, Ghioldi presents the female form in its most bare state.

These images were captured with a 35 mm and a medium-format camera, and printed on 16 x 20 silver gelatin prints.

On Friday, January 13th, from 6-10PM the LUCEO cooperative is hosting their third annual exhibition at 25CPW in New York City. Titled “Greater Than The Sum”, the exhibition highlights the group’s ability to connect, collaborate and create. LUCEO seeks to engage the audience, making them the final arbiter in the work. Breaking from tradition, their new exhibition “Greater Than The Sum” combines a broad curation of each photographers work into one 163′ run that spans the entire gallery. Rather than selling individual prints, LUCEO is selling CUTS which give guests the opportunity to hand-cut a 24×24″ section of the print they most want. The show also consists of an interactive installation and a soundscape scored by composer Tyler Strickland.

For those that can’t attend in person, you can still reserve a CUT and LUCEO will have a stand-in make the cut for you, or you can purchase a limited edition catalogue from the LUCEO store. The catalogue also includes a download score for the unique soundscape.

-courtesy LUCEO.

People have always grown food in urban spaces—on windowsills and sidewalks, and in backyards and neighborhood parks—but today, urban farmers are leading an environmental and social movement with intent to transform our national food system. To explore this agricultural renaissance, brothers David and Michael Hanson and urban farmer Edwin Marty document twelve successful urban farm programs, from an alternative school for girls in Detroit, to a backyard food swap in New Orleans, to a restaurant supply garden on a rooftop in Brooklyn. Each essay offers practical advice for budding farmers, such as composting and keeping livestock in the city, decontaminating toxic soil, even changing zoning laws.

For seven weeks, David, Michael, and videographer, Charlie Hoxie, traveled the country in a short school bus powered by veggie grease (and a minivan after too many breakdowns delayed the production). The trio slept in empty lots overlooking the Pacific Ocean, mall parking lots, and alongside the very farms they were documenting.The images and stories to come out of these farms show that America’s urban landscape is rich with opportunity for fresh local food. Hanson’s book, Breaking Through Concrete : Building an Urban Farm Revival, published by University of California Press, was recently released.

-courtesy Michael Hanson.

Father Luke Nguyen and the Mary Queen of Vietnam Church were the catalyst for the development of backyard gardens that helped resurrect the predominately Vietnamese Versailles community of East New Orleans after Hurricane Katrina.

Mary Seton Corboy, the director of the Greensgrow Farm in Philadelphia, tends to her bees. Initially, Mary kept bees to deter intruders from entering the farm. Now she has hundreds of CSA members throughout the Philadelphia area and provides produce for restaurants, community members and the farmer’s market.

Children eat mango at the Garden at Westerly Creek Park in Denver, CO. Refugees from countries including Bhoutan, Somolia, and Sudan gather at this community farm where they now grow a city block’s worth of produce.

Annie Novak at Eagle Street rooftop garden in Brooklyn, NY. Her farm provides produce for a CSA, local restaurants, and a farmer’s market.