Today marks one year since anti-government protesters who had gathered in Cairo’s Tahrir Square, and the journalists covering the demonstrations, were overrun by mobs loyal to Egyptian President Hosni Mubarak. The two sides battled with rocks, curb stones and Molotov cocktails, and gunfire could be heard around the Square. As Ron Haviv and other photographers reported to PDN from Cairo at the time, pro-Mubarak demonstrators turned on the press, assaulting several and taking or smashing photojournalists’ cameras.

Ron Haviv’s coverage of the Tahrir Square demonstrations was honored in the Photojournalism/Sports/Documentary category of the 2011 PDN Photo Annual. The extended deadline for PDN’s 2012 Photo Annual is February 17, 2012.

To view more contest entries or submit to the 2012 Photo Annual, visit www.pdnphotoannual.com.

Related articles:

Photographers Beaten, Robbed as Pro-Mubarak Gangs Turn on Press (Update)

Photographer is First Media Fatality in Egypt: Situation Remains Dangerous

From Egypt, Photographers Persisted in Filing Stories

"Girl reading comic book in newsstand" by Teenie Harris (c. 1940-1945) © 2006 Carnegie Museum of Art, Pittsburgh

For over 40 years Charles “Teenie” Harris documented life in and around Pittsburgh’s Hill District for the influential black newspaper the Pittsburgh Courier. Affectionately called “One Shot” due to the brisk manner in which he photographed his subjects, Harris spent as much time shooting the everyday people of the neighborhood as he did the famous people who visited it. With close to 80,000 negatives in his archive, he is said to have best captured the urban African-American experience during the 20th century.

The Carnegie Museum of Art acquired Harris’s archive in 2001 and set out preserving, cataloguing and digitizing the images. The museum is currently exhibiting the first major retrospective of his work, “Teenie Harris, Photographer: An American Story.” The exhibit includes a life-size projection of close to 1,000 of Harris’s images set to an original jazz score; a chronological display featuring small prints of those same images; and a mini-exhibit of 12 16 x 20-inch prints selected by various experts. The exhibit will stay in Pittsburgh through April 7 and then move on to the Harold Washington Library Center in Chicago, the Birmingham Civil Rights Institute and the Atlanta University Center Robert W. Woodruff Library.

"Duke Ellington at piano, with dancer Honey Coles and Billy Strayhorn looking on, in the Stanley Theatre" by Teenie Harris (c. 1942-1943) © 2006 Carnegie Museum of Art, Pittsburgh

"Woman outside Kay’s Valet Shoppe" by Teenie Harris (c. 1938–1945) © 2006 Carnegie Museum of Art, Pittsburgh

"Soldiers from the 372nd Infantry marching in parade, Fifth Avenue, Downtown" by Teenie Harris (c. July 1942) © 2006 Carnegie Museum of Art, Pittsburgh

"Three men and a woman at a restaurant counter" by Teenie Harris (c. 1948–1960) © 2006 Carnegie Museum of Art, Pittsburgh

"Protesters with UNPC signs outside United Mine Safety Appliance Company, Braddock Avenue, Homewood" by Teenie Harris (c. October 1963) © 2006 Carnegie Museum of Art, Pittsburgh

"Lena Horne reflected in mirror in dressing room at Stanley Theatre" by Teenie Harris (c. 1944) © 2006 Carnegie Museum of Art, Pittsburgh

"Roland M. Sawyer and Aileen Eckstein Sawyer posed on their wedding day on steps of The Thimble Shop, 5913 Bryant Street, Highland Park" by Teenie Harris (c. August 1938) © 2006 Carnegie Museum of Art

The reception will feature a film screening and slide-show with a discussion moderated by Erika and Sarah Leen, senior photo editor at National Geographic Magazine. The exhibit will run until March 13th. To see a more intimate glimpse of Larsen’s project, watch this short video.

-courtesy Redux.

Raised in the Mississippi Delta, photographer Kathleen Robbins has photographed rural life in the region in two bodies of work. Starting in 2003, when she began teaching at the University of South Carolina, she made repeated trips to to Belle Chase, her family’s farm, to explore familial obligations and her relationship with “home” in a project she calls “Into the Flatland.” Robbins says, “This is land that my family has inhabited for generations, and I am pulled to this place in a way that I am not able to fully articulate.”

Her new, ongoing series, “In Cotton,” looks at the lives of rural cotton farmers in the Yazoo Mississippi Delta. During the 2011 growing season, Robbins and writer Mary Carol Miller spent five weeks with ten farm families. Her work on the series continues.

Robbins, who is represented by Jennifer Schwartz Gallery in Atlanta, has had her work exhibited at The Light Factory, Rayko Gallery, the Ogden Museum of Southern Art and other venues. She is coordinator of the photography program at the University of South Carolina. This week, she was named first place winner of the 2011 PhotoNOLA Review Prize, selected by reviewers at the PhotoNOLA Portfolio Review in December 2011.

Top and above: Images from “Into the Flatland”

Blackbirds, from “Into the Flatland”

An interior image, part of Robbins’ ongoing series “In Cotton”

Burning Field, from “In Cotton”

Whittington Foyer, “In Cotton”

A new exhibition of the work of LIFE magazine staff photographer and editor John Loengard’s black-and-white photographs is currently showing through the end of January at the Monroe Gallery in Santa Fe, New Mexico. Among the prints in the exhibition are several photographs of legendary photographers like Henri Cartier-Bresson, Alfred Eisenstadt, Annie Leibovitz and Richard Avedon. These photographs are also part of Loengard’s new book, Age of Silver: Encounters With Great Photographers (powerHouse), which celebrates, through Loengard’s portraits, some of the most notable photographers in the history of the medium.

Henri Cartier-Bresson sketching in the Bois de Boulogne, Paris, 1987.

Alfred Eisenstaedt holds the negative with his famous WWII photograph of a sailor and nurse kissing on VJ-day, New York City, 1992.

Abby Robinson’s ongoing series, In Camera, is a look into the old photo studios throughout Sri Lanka, Pakistan, India and Vietnam “where the past, the present, the traditional and the contemporary collide and where painted backgrounds and props give clues into notions of class, taste and aspiration.” So many of these painted backdrops and props are being replaced by digital post-production techniques, but the details of Robinson’s colorful panoramas remind us of the culturally rich creative process of in-camera studio photography.

Stairs & Stones (Sri Lanka)

A rare exhibition of more than 20 albumen prints made from 1864 to 1874 by 19th century British photographer Julia Margaret Cameron is on view at Hans P. Kraus Jr. Fine Photographs, New York, through December 2. Most of the photographs were gifts from the artist to her niece, Adeline Maria Jackson; they have remained in the family ever since and have never been exhibited.

Cameron famously began her career in photography at the age of 48 when she received a camera as a gift from her daughter. Moving in the highest circles of Victorian society, Cameron counted artists, writers and scientists among her close friends. Her famous portrait subjects included the astronomer Sir John Herschel, the naturalist Charles Darwin, the Scottish writer Thomas Carlyle and the American poet Henry Wadsworth Longfellow. She created the majority of her work at her home in Freshwater on the Isle of Wight. Among the highlights of the exhibition is a carbon print of “A Beautiful Vision, Julia Duckworth, 1872″.  Duckworth, Cameron’s niece and goddaughter, was a frequent sitter and provided inspiration for her aunt’s photographs. She later became the mother of Vanessa Bell and Virginia Woolf.

Writing about Cameron in his essay for the catalogue that accompanies the exhibition, photo historian Larry J. Schaaf observes, “Her photographs have always been show-stoppers in any exhibition. Big, bold, and penetrating, they are at the same time incredibly natural, indeed, comfortable to behold.”

The exhibit is currently installed in Prague, Czech Republic until February 7, 2012 at Anglo American University’s [art]SPACE. The event is sponsored by Anglo American University (AAU) and is organized in partnership with Forum 2000 Human Rights Conference, the Georgian Embassy and NAPA Gallery.The exhibit opens in partnership with the University of North Carolina at Greensboro at the Gatewood Gallery from November 17th – 29th, 2011. The Opening Reception is on Monday, November 21, 2011.

Lastly, the exhibit is scheduled from December 6 – 19th, 2011 in Tbilisi, Georgia at Gallery “9″ in collaboration with the Tbilisi International Film Festival.

© Tako Robakidze.

© Anka Gujabidze

© Mariam Amurvelashvili

© Irina Popova

© Elene Damenia