All photos © Todd Heisler/Rocky Mountain News. All rights reserved.

Todd Heisler’s “Final Salute” was named by PDNOnline readers one of the most influential photo essays of the past ten years in a survey conducted for PDN’s Visions of the Decade issue. While a staff photographer at the Rocky Mountain News, Heisler (now at The New York Times) spent a year documenting the work of Major Steve Beck and the Marine Honor Guard who handle family notifications and the funerals of Marines killed during the Iraq War. At a time when the Pentagon barred photographers from covering the return of military caskets to Dover Air Force Base, Heisler’s “Final Salute” provided a rare and intimate look at the dignity of military funeral rites.

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“Accademia Bridge, Venice, Italy 2007,” © Michael Kenna, Courtesy of Robert Mann Gallery, New York City

A toned silver print of this image is included in Michael Kenna’s new exhibit, “Venezia,” on view at the Robert Mann Gallery in New York City through March 13. The book Michael Kenna: Venezia will be published this spring by Nazraeli Press.

© Getty Images/photo by Spencer Platt

This image by Spencer Platt, winner of the 2006 World Press Photo of the Year, was named one of the  most influential photos of the decade by readers of PDN. (For more on PDN’s Visions of the Decade, see PDN’s January issue.)

The photo’s caption reads, “Affluent Lebanese drive down the street to look at a destroyed neighborhood August 15, 2006 in southern Beirut, Lebanon. As the United Nations-brokered cease fire between Israel and Hezbollah enters its first day, thousands of Lebanese returned to their homes and villages.”

The image excited a lot of controversy. Says Platt, “While most of my images from this war showed dead, crying or displaced Lebanese, this photo shows them as resilient, beautiful and seemingly impervious to the Israeli bombs.” Some people believed it showed  callous tourists viewing devastation; Platt says he’s seen several stories speculating about the subjects, including one claiming they were actually poor Lebanese who happened to find themselves in a sports car. In February 2007, PDNOnline published an interview with the subjects. They said they were residents of the formerly Christian neighborhood in the photo but  had been forced to flee the bombing; at the start of the cease fire, they drove back to check on their homes.

Says Platt, “What matters is that this image could not be taken anywhere else in the world except Lebanon. There is nowhere that fashion, carnage, war and beauty rub shoulders as they do in Beirut.” He adds, “A red Mini Cooper driving through the rubble with a group of glamorous youth looking perplexed and slightly indifferent…that is a picture….nothing more need be said.”

All photos © Hiroshi Watanabe, courtesy of Catherine Edelman Gallery

Three images from photographer Hiroshi Watanabe’s series, “Suo Sarumawashi” (”monkey dancing”)  on view at the Catherine Edelman Gallery in Chicago through October 31. One of Japan’s oldest art forms, monkey dancing features acrobatic stunts, comedic skits and dances performed by trained macaque monkeys. In its 1,000-year history, monkey dancing evolved from a religious ritual to a form of entertainment performed on the streets of Japan.

Above: “Fukunosuke, Suo Sarumawashi” (2008) (more…)